Showing posts with label Tom Finger. Show all posts
Showing posts with label Tom Finger. Show all posts

Sunday, 7 February 2010

CAKES, VICARS & BOOK LAUNCHES

Heffers Children's Bookshop, when it existed, hosted some great book launches for my Bloomsbury and Frances Lincoln books. I remember Bloomsbury had a cat cake specially made for the Tom Finger launch. A lot of books were sold on these occasions and it was a good opportunity to get to know the book reps.

Earlier book launches were often hosted by a school, following a term's residency. The launch of Tog the Ribber was at Great Chesterford Primary and again there was cake - a chocolate skeleton cake. The children had made shadow puppets and put on a magical show for that launch. 


I had one disaster - the launch of Witch Watch at a Primary School in Saffron Walden in 1989 when the vicar completely stole the show:

 
 "A few years ago I would have thought it was all innocent fun but the climate is different now," he told the press. "There is an increase in involvement in the occult in this area and I have had reports of witches coverns and black magic practices..."


Well, the advent of Harry Potter has changed all that. Let's hope the vicar is no longer troubled by the occult and his parishioners have been able to put away their broomsticks and settle down to a good read.


Sunday, 10 January 2010

DRAWING CHILDREN


When I sketch children, I sketch them as I see them - in proportion. However, when I start to put children into a story I alter their proportions. I see children differently when they become characters playing a part in the narrative. They often have to pit their wits against the challenges, quests and villains in my stories and so, although diminutive, they have to act far older than their size dictates. Here are Queenie and Ben in the rough and penultimate page of my book Tom Finger.







Mario, in this rough and first page from Mario's Angels, is also small yet in the story he feels grown up enough to offer help to the fresco artist, Giotto.



I suppose inside every child is a future adult so I try to capture a sense of that in my child characters.